Roll Bb Locrian melodies from Bb, Cb, Db, Eb, Fb, Gb, Ab and download the MIDI. Set the contour and density, keep the ones you like. Free, no sign-up.
With no stable fifth above the tonic, melodies here tend to avoid the tonic as a resting point altogether and resolve somewhere else, which is why Locrian is used in passing rather than for whole tunes. The one mode with a diminished tonic chord: both the second and the fifth are flattened, so the home chord cannot settle. It is a scale that refuses to resolve. In Bb Locrian that plays out over Bb, Cb, Db, Eb, Fb, Gb, Ab — 7 flats (Bb, Eb, Ab, Db, Gb, Cb, Fb). Set a contour and a density, roll until a line catches your ear, and download exactly what you heard as MIDI.
| Degree | 1 | b2 | b3 | 4 | b5 | b6 | b7 |
|---|---|---|---|---|---|---|---|
| Note | Bb | Cb | Db | Eb | Fb | Gb | Ab |
Key signature: 7 flats (Bb, Eb, Ab, Db, Gb, Cb, Fb).
W is a whole step (two semitones), H a half step (one), W+H a three-semitone jump. The pattern adds up to the octave.
The tonic is the darkest key; every other highlighted key belongs to the scale.
Stack a third and a fifth from the scale on every degree and you get the chords that belong to this key. Tick diatonic chords before downloading to put all 7 of them in the MIDI file after the scale itself.
| Numeral | Chord | Notes | Quality |
|---|---|---|---|
| i° | Bb° | Bb – Db – Fb | diminished |
| bII | Cb | Cb – Eb – Gb | major |
| biii | Dbm | Db – Fb – Ab | minor |
| iv | Ebm | Eb – Gb – Bb | minor |
| bV | Fb | Fb – Ab – Cb | major |
| bVI | Gb | Gb – Bb – Db | major |
| bvii | Abm | Ab – Cb – Eb | minor |
Start the same seven notes on a different degree and you get a different mode. These six share every note with Bb Locrian and differ only in which one is home.
metal, dissonant jazz, and brief passing moments in tonal music — rarely a whole piece.
Pick a key and scale, then roll melody until something catches your ear. The generator writes each line note by note: it favours stepwise motion over leaps (the way most memorable melodies move), follows the contour you choose — rising, falling, arching, or wandering — packs the bars according to the density setting, leaves the occasional breath of rest, and always resolves to the tonic on the final note. Press play preview to hear the exact notes the download writes. This page arrives preset to Bb Locrian, so every roll stays inside Bb, Cb, Db, Eb, Fb, Gb, Ab and lands on Bb.
A generated melody is a starting point, not a finished song. For complete arrangements — melody, chords, bass and drums that belong together — open the MIDI Maker studio and generate a full track in Bb Locrian.
Or head back to the melody generator to build any combination yourself.
Every generated melody draws only from the Bb Locrian scale — Bb, Cb, Db, Eb, Fb, Gb, Ab, which is 1 b2 b3 4 b5 b6 b7 against the major scale — across roughly an octave and a half starting at Bb4, and always resolves to the tonic Bb on its final note.
With no stable fifth above the tonic, melodies here tend to avoid the tonic as a resting point altogether and resolve somewhere else, which is why Locrian is used in passing rather than for whole tunes.
Yes — the contour control biases the melody rising, falling, arching, or wandering, and the density control (sparse, medium, busy) sets how many notes it packs into each bar. Every press of "Roll melody" generates a fresh line with those settings.
Yes — each melody is generated on your device by weighted chance, not by a model trained on anyone else’s music, so it is yours to keep and royalty-free for personal and commercial projects.
The MIDI Maker studio rolls complete, editable arrangements — melody, chords, bass and drums — you can export to any DAW. Free, in your browser.
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