Roll C Minor melodies from C, D, Eb, F, G, Ab, Bb and download the MIDI. Set the contour and density, keep the ones you like. Free, no sign-up.
Without a leading tone the tonic arrives by step from above rather than being pulled up to, which is why minor melodies tend to descend to their resting note instead of climbing to it. The natural minor, or Aeolian: a flattened third, sixth and seventh. No leading tone, so it settles rather than resolving — the plainest way to sound sad. In C Minor that plays out over C, D, Eb, F, G, Ab, Bb — 3 flats (Bb, Eb, Ab), the same notes as Eb Major. Set a contour and a density, roll until a line catches your ear, and download exactly what you heard as MIDI.
| Degree | 1 | 2 | b3 | 4 | 5 | b6 | b7 |
|---|---|---|---|---|---|---|---|
| Note | C | D | Eb | F | G | Ab | Bb |
Key signature: 3 flats (Bb, Eb, Ab).
W is a whole step (two semitones), H a half step (one), W+H a three-semitone jump. The pattern adds up to the octave.
The tonic is the darkest key; every other highlighted key belongs to the scale.
Stack a third and a fifth from the scale on every degree and you get the chords that belong to this key. Tick diatonic chords before downloading to put all 7 of them in the MIDI file after the scale itself.
| Numeral | Chord | Notes | Quality |
|---|---|---|---|
| i | Cm | C – Eb – G | minor |
| ii° | D° | D – F – Ab | diminished |
| bIII | Eb | Eb – G – Bb | major |
| iv | Fm | F – Ab – C | minor |
| v | Gm | G – Bb – D | minor |
| bVI | Ab | Ab – C – Eb | major |
| bVII | Bb | Bb – D – F | major |
Start the same seven notes on a different degree and you get a different mode. These six share every note with C Minor and differ only in which one is home.
pop ballads, rock, techno, drum and bass, trap, and most electronic music written in a minor key.
Pick a key and scale, then roll melody until something catches your ear. The generator writes each line note by note: it favours stepwise motion over leaps (the way most memorable melodies move), follows the contour you choose — rising, falling, arching, or wandering — packs the bars according to the density setting, leaves the occasional breath of rest, and always resolves to the tonic on the final note. Press play preview to hear the exact notes the download writes. This page arrives preset to C Minor, so every roll stays inside C, D, Eb, F, G, Ab, Bb and lands on C.
A generated melody is a starting point, not a finished song. For complete arrangements — melody, chords, bass and drums that belong together — open the MIDI Maker studio and generate a full track in C Minor.
Or head back to the melody generator to build any combination yourself.
Every generated melody draws only from the C Minor scale — C, D, Eb, F, G, Ab, Bb, which is 1 2 b3 4 5 b6 b7 against the major scale — across roughly an octave and a half starting at C4, and always resolves to the tonic C on its final note.
Without a leading tone the tonic arrives by step from above rather than being pulled up to, which is why minor melodies tend to descend to their resting note instead of climbing to it.
Yes — the contour control biases the melody rising, falling, arching, or wandering, and the density control (sparse, medium, busy) sets how many notes it packs into each bar. Every press of "Roll melody" generates a fresh line with those settings.
Yes — each melody is generated on your device by weighted chance, not by a model trained on anyone else’s music, so it is yours to keep and royalty-free for personal and commercial projects.
The MIDI Maker studio rolls complete, editable arrangements — melody, chords, bass and drums — you can export to any DAW. Free, in your browser.
Open the Studio — Free