Roll E Harmonic Minor melodies from E, F#, G, A, B, C, D# and download the MIDI. Set the contour and density, keep the ones you like. Free, no sign-up.
The three-semitone jump from the flattened sixth to the raised seventh is the hook: melodies either leap it deliberately or fill it chromatically, and the seventh pulls hard up to the tonic. Natural minor with the seventh raised back up, which leaves a three-semitone leap between the sixth and seventh degrees and turns the v chord into a dominant V. In E Harmonic Minor that plays out over E, F#, G, A, B, C, D# — 1 sharp (F#), plus D# written in, the same notes as G Major. Set a contour and a density, roll until a line catches your ear, and download exactly what you heard as MIDI.
| Degree | 1 | 2 | b3 | 4 | 5 | b6 | 7 |
|---|---|---|---|---|---|---|---|
| Note | E | F# | G | A | B | C | D# |
Key signature: 1 sharp (F#), plus D# written in.
W is a whole step (two semitones), H a half step (one), W+H a three-semitone jump. The pattern adds up to the octave.
The tonic is the darkest key; every other highlighted key belongs to the scale.
Stack a third and a fifth from the scale on every degree and you get the chords that belong to this key. Tick diatonic chords before downloading to put all 7 of them in the MIDI file after the scale itself.
| Numeral | Chord | Notes | Quality |
|---|---|---|---|
| i | Em | E – G – B | minor |
| ii° | F#° | F# – A – C | diminished |
| bIII+ | G+ | G – B – D# | augmented |
| iv | Am | A – C – E | minor |
| V | B | B – D# – F# | major |
| bVI | C | C – E – G | major |
| vii° | D#° | D# – F# – A | diminished |
classical minor-key writing, neoclassical metal, flamenco, Middle Eastern and Balkan music, and anything wanting a strong pull home.
Pick a key and scale, then roll melody until something catches your ear. The generator writes each line note by note: it favours stepwise motion over leaps (the way most memorable melodies move), follows the contour you choose — rising, falling, arching, or wandering — packs the bars according to the density setting, leaves the occasional breath of rest, and always resolves to the tonic on the final note. Press play preview to hear the exact notes the download writes. This page arrives preset to E Harmonic Minor, so every roll stays inside E, F#, G, A, B, C, D# and lands on E.
A generated melody is a starting point, not a finished song. For complete arrangements — melody, chords, bass and drums that belong together — open the MIDI Maker studio and generate a full track in E Harmonic Minor.
Or head back to the melody generator to build any combination yourself.
Every generated melody draws only from the E Harmonic Minor scale — E, F#, G, A, B, C, D#, which is 1 2 b3 4 5 b6 7 against the major scale — across roughly an octave and a half starting at E4, and always resolves to the tonic E on its final note.
The three-semitone jump from the flattened sixth to the raised seventh is the hook: melodies either leap it deliberately or fill it chromatically, and the seventh pulls hard up to the tonic.
Yes — the contour control biases the melody rising, falling, arching, or wandering, and the density control (sparse, medium, busy) sets how many notes it packs into each bar. Every press of "Roll melody" generates a fresh line with those settings.
Yes — each melody is generated on your device by weighted chance, not by a model trained on anyone else’s music, so it is yours to keep and royalty-free for personal and commercial projects.
The MIDI Maker studio rolls complete, editable arrangements — melody, chords, bass and drums — you can export to any DAW. Free, in your browser.
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