Carillon is one of MIDI Maker’s experimental palettes: everything is struck metal. Two melodies peal downward in even rows at different speeds, the way change-ringing walks the same bells through new orders. Under them a whisper of a kit — glass pings, dust for a hat, a breath of a kick — shadows the lead’s strikes and never rings louder than the bells.
What to listen for: Bells and struck metal ringing in falling rows, each strike left to decay into the next until the overlapping tails pile up into one glowing mass.
Carillon is included with the Pro and Studio plans; the free plan covers five genres. See pricing.
How the engine writes carillon
Chords are wide sus-and-ninth stacks hit on the downbeat and left to decay, the bass tolls the root on the bar, and density stays deliberately modest so the overlapping decays can bloom into each other. Each section lands in a new key — a new ring of the same bells.
From a roll to your DAW
A roll defaults to 104 BPM (every preset and tempo is editable before and after generating) and plays back in the browser through the studio's own synths. When you like a take, export it as whole-track or per-instrument MIDI, or as WAV/MP3 audio — the drum part uses General MIDI numbering, so it lands correctly on any drum plugin. There are step-by-step import guides for Ableton Live, FL Studio and Logic Pro.